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How Fine Art Printing Is Done.

Fine art printing has been in existence for more than we can remember and it was being done long before any technology was invented. The art pieces of fine arts have been done by art masters and others have been made by well-known artists that have put a mark in the art world. The pieces of fine art take time and concentration to come out as successful pieces and there are failures behind every success.

There are four well known methods in which fine art is made and they include; planography, screen printing, relief and intaglio. These methods have been in use for more than five decades and they are still being used to produce the fine art pieces. The way each of the above method is explained below.

The method that has been in existence the longest is the relief and was used to make some of the first major pieces. The person doing the art uses a sharp cutting object to cut out the piece of material they want to use in making the art piece. Knives were used to curve out the wanted shapes out of wood. The pieces would then place in ink and printed on the desired surface, either paper or canvas. A little amount of pressure is then applied to get all the paint on the paper. The wood and paper is then separated after some time when the paper is dried not to tear up.
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The planography pieces are done by paint being applied to a rock then it is pulled off when it has dried up to form a surface like material. First, the stone is applied with oil so that the removing process can be smooth to prevent tearing up. The stone is applied with the ink and given time to dry up. After the paint dries up, it is pulled off the stone to complete the process.
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Screen-printing is done by applying special glue on the surface that is not to be printed. It is the most recent form of printing and it is used for projects that are to be produced in large numbers. The prints can be made on pieces of clothes or paper depending on the need of the art.

The last method is intaglio where by the art is done by woodcarvings. The wood curving of the art is then dipped into ink and then pressed against the surface to be printed. The most used surface for this type of art is paper and cloth but it can be applied on any surface that can take the ink.

The processes can produce any size but the bigger the size the longer it will take to produce one. You therefore have to weigh the time-frame left before undertaking the task.